Many of the scenes I
see written by first novelists lack structure, development, and purpose. They
seem to be the result of the writer’s thinking, “Oh, I guess I’ll start a scene
here” and “Well, I guess I’ll end the scene now.” That’s not what you should
do. Ya gotta have a plan, Stan.
To construct a fully
fledged scene you have to begin with the proper scene framing (see my previous
post about scene framing), and you have to include enough action to produce a
well “rounded” scene. Scenes are the building blocks of your story. Each one
should relate a significant, self-contained episode that has a beginning, a
middle, and an end, just as the novel as a whole should have a beginning, a
middle, and an end.
This is the basic,
age-old dramatic structure that Aristotle first called the “narrative arc.”
Instead of using the terms beginning,
middle, and end, we can describe the narrative arc of a story as the Complication, the Crisis, and the Resolution.
Novelists need to think of each scene as a ministory with a similar narrative
arc.
Just as important is determining
the purpose of the scene. If a writer
doesn’t know what purpose the scene will serve, then it will likely lack structure
and the proper development. To help guide you in writing a scene, keep this
list handy:
The SCENE’S PURPOSE is to:
•
Move the main plot line ahead
•
Present necessary information
•
Introduce or develop characters
•
Create atmosphere or develop setting
•
Introduce or worsen a problem
•
Solve a problem
•
Set up a later scene
The scene should
serve at least one of these purposes.
Also, during the
planning stage of your scene, ask yourself these questions:
·
Who
will be the viewpoint character?
·
What
other characters will be in this scene?
·
Where
will this scene take place?
·
When
will it take place?
·
What
is the primary action that will occur in the scene?
·
What
will generate conflict?
Do all these
things, and you will have an effective scene that will encourage readers to
keep reading your story.
Paul Thayer
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