Each scene
should have a strong opening and a strong conclusion. A scene should end neatly
and completely, rather than just dropping off. Make sure that you’ve given each
scene wrap-up a sense of completeness and closure, so that readers don’t feel
that they need to hear or see something more. Often just adding a sentence or
two will do the trick. An ending written from the perspective of the viewpoint
character (VPC) is the best thing to do. If you can include a cliffhanger, an
emotional punch line (in dialogue or narration), an important question, a hint
of interesting action to come, or some especially lyrical writing, so much the
better.
Here’s how my
client Brent Ghelfi ended one scene in his published novel The Venona Cable:
Rykov started back down the
hall, motioning for his men to bring me along.
“You’ll leave Lefortovo in only one of two
ways,” he said, not looking back. “Transferred to another prison. Or dead.”
The lines that close the
curtain on a scene don’t have to be complicated or fancy. Here’s another
example, this one from Brent Ghelfi’s published novel Volk’s Game:
I push him into the street and
toward his flat. He wobbles off. He’s ruined for the night, and maybe for good.
I set off in the other direction. Time to see Gromov now, while the anger is
still fresh.