Instead of opening your scenes with narration, use what I call
(for want of a better term) the “spring forward/fall back” narrative device. A
span of time usually passes between chapters and scenes. That’s the reason for those
white-space breaks in the text. When you push the story forward to another
point of action in a new chapter or scene, you should get the new scene going
and then recap events that occurred in the interim, if you need to, quickly
summarizing what happened since the end of the previous scene. In other words,
you “spring forward,” then “fall back” briefly, and then pick up the action
again. You do this to skip some boring stuff—or at least some less than
compelling material that isn’t worth dramatizing. You’ll see professional novelists
doing this all the time.
Note of caution: If your recap is long and detailed, then you
shouldn’t have jumped so far ahead in story time. You should have just
maintained the chronology of events and kept moving. A “fall back” recap that
runs too long isn’t a recap anymore; it’s a flashback, which isn’t a device you
want to use at or near the opening of a new chapter or scene.
Paul Thayer
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